Women in Cell Block 7 review

 

WOMEN OF CELL BLOCK 7

Directed by	Rino Di Silvestro
Written by	Rino Di Silvestro, Jack Lyons

Starring

• Anita Strindberg: Hilda

• Eva Czemerys: Mother S.

• Jenny Tamburi: Daniela Vinci

• Cristina Gaioni: Religious prisoner

• Bedy Moratti: Pyromaniac

• Massimo Serato: Warden

• Elisa Mainardi: Prison Matron

• Olga Bisera: Gerda

• Valeria Fabrizi: Napolitana

• Paola Senatore: Musumeci

• Roger Browne: Inspector Weil

• Franco Fantasia: Chief Inspector

• Umberto Raho: Daniela's lawyer

• Gabriella Giorgelli

***DISCLAIMER***

So...one of the basic problems I had with this movie was figuring out who was who. Eventually I learned through their quirks and seeing some characters named what I was naming them myself, like matron and pyromaniac, others I weren't so fortunate with. For instance, I'm ASSUMING Hilda is the special agent character while Mother S. is who I would be referring to as “Mistress”. So, just in case, I'll just use my terms as I'm only 70% certain they're who I think they are. Not to mention some characters I just don't know the names of and seeing the cast list I can't pick them out. For instance, the agent has a father in the movie but I've no idea where he is there so...he'll just be the “agent's father”. The Mistress has a prison bitch so I'll just be referring to her as “Bitch” or “PB”. That said, let's get into things, shall we?

PREMISE

This is another bit I was confused about but I think I got it. Most of it might've been lost in translation since this is an Italian movie but was presented in English. I dunno.

Anyway, there's a crime organization trying to get back some drugs that were stolen from them but the guy who did the dirty dies in a car accident at the start of the film. The only one close to him at the time was his girlfriend, Daniela. Daniela is sent to prison for association to the crimes of drug possession, movie logic, and so an Interpol agent goes into prison as well in order to get close to her and find out where the drugs are being held. Because interviews aren't a thing. The only ones who know about this are those on her side. So, as far as the warden, prison guards, and other inmates are concerned she's a criminal serving out her sentence.

On the outside the agents father gets kidnapped and tortured by the criminals cause he has some sort of connection with the guy who first stole the drugs. I didn't catch what it was but his story is inconsequential cause he dies anyway. I will say this whole part confused the heck out of me cause not only did I not understand the connection but the whole kidnapping happens directly after a lengthy car chase where the father goes down a cliff but survives and they even make a point to show him getting out of the car and looking UP at his soon to be kidnappers. Like, did they drive down after him or something? Anyway, the father later dies after a botched escape attempt and he falls two or three stories through a building.

Back in the prison, the agent just...she just does horribly at her job. Rather than try and get the information from Daniela, or what she knows, when they're in the yard she asks the Mistress for a favor to share a cell with her instead. The Mistress character is like the “I can get things” kinda character with a huge level of blackmail on one of the guards. Will explain what that is later.

Daniela has a lawyer she meets with who, we find out later, works for the crime family trying to get her to confess she knows where the drugs are as Daniela pleads ignorance to the whole thing. The prison guards beat her and throw her in solitary as a means of convincing her to talk. Eventually, she does tell the agent in a recorded conversation in the hospital ward. The matron later poisons Daniela who dies and the agent, having done her job, also dies...? Her car gets shot at and goes off a cliff flaming. We hear her screams so I assume she dies. As it also turns out, cause there aren't enough of these moments, the warden is also shown to be working for the crime family and tells his boss where the drugs are. Life goes on in the prison.

Um...the end.

SEX SCENES

Given this is a sexploitation movie set in a prison, there's obviously going to be some sex and there's like two and a half scenes of it. Plus a characters tries with, I'm presuming, the main character. There's a little bit of self service and a lot of flirting.

The first one...I still don't know who was involved in it. I think it was the character some hated cause she was a lesbian so...show that off, I guess. A lot of breast play and light body kissing. Several ass shots, so I'm assuming a fetish on behalf of the director.

The second comes like RIGHT after the first. No scene in between, no set up. Just boom. Prison matron enters a room and there's already a naked woman waiting for her. They make out for a little while with more focus on eating out than anything. Like the first I didn't really know who the other woman was supposed to be. Though later find out it's the Mistress and this is the blackmail she has on the matron allowing her to get away with certain acts.

The third, like I said, is a sort of half one with an inmate gently teasing herself and then claiming she needs sex. She sees the doctor who says she's fine and so they have sex. I kinda blinked in the bit between the examination and when he was grinding on her. It was fairly close up to their faces and her chest so I don't know all that was going on though can guess as I'm sure you can as well.

ACTION

Like I said there's a lengthy car chase at the beginning. Nothing overly fantastic. Pretty barren village they drive through destroying a barell and flower car. Otherwise it ends up back in the country roads and ends with the chased going off a cliff but survives. The second chase at the end is more of a shoot out and kinda ends the same way with the chased going off a cliff except this time bursting into flames. That, and instead of a mans terrified scream there's a woman's.

There's really only one cat fight in the entire thing. Sort of a tag team cat fight with several close ups of clothes being torn off, breasts popping out, underwear being pulled down. It all starts cause one of the inmates gets upset with the lesbian inmate and things go from there.

I suppose there's also a prison riot but it ends with the inmates getting what is best described as a shower with hoses giving us another chance to see some boobs.

THINGS INCONSEQUENTIAL

I realized I never mentioned the “riot”, but that's probably because it wasn't really thought of. It just...sort of happened. Most of the inmates never really cared about each other, the Mistress only cared for her own needs, the problems were hardly spoken of and if they came up I thought they were other things. Like the food being bad. I suppose it's why Daniela reacted like she was about to throw up but I only thought it was cause she was being poisoned. The riot just goes on because the agent wants Daniela out of solitary and cause one night she's screaming everyone, including the Mistress, suddenly care. The riot happens with them standing in unison in the yard then they're sprayed with hoses. Like like being knocked back, as I'm sure you might be thinking, but more like a semi intense shower. The ground doesn't even turn muddy. It's not even a minor inconvenience. It all ends with the warden just meakly saying he'll look into bettering the conditions.

There's also the pyromaniac, whom everyone knows is a pyromaniac and she gets her hand on some matches and sets a fire in her room being shared with Daniela. Rather than go after the pyromaniac they grab Daniela who's freaking the hell out and throw her in solitary. The pyromaniac they just don't really mention again. No one confronts her or slaps her. Her fire just gets put out and she's carried out softly by a guard.

There's the religious woman there too and she's teased as a result because of it. It doesn't really lead to anything. No one says “Pray for me” or anything like that. She's just...there.

I already mentioned the father who doesn't really have much in the way of the movie aside from being there as well. But I've said enough about him.

There's an assassination at the beginning of the movie where, on the brightest day of the summer, someone pokes a rifle out the car window at a busy airport and shoots a couple people. We're...kinda informed who they are but no one really mentions them ever again cause the whole thing is about drugs anyway. The assassin is the guy who takes the drugs and dies shortly after anyway so...

This isn't really inconsequential, but it kinda is. When we're given the convoluted story we're thrown into the prison and introduced to a couple characters then a whole WHACK of them. Two by two we hear them conversing in the yard and you're wondering “Is this person important?” When all's said and done, none of them are! It just adds to the confusion you feel for the first half of the movie where things are only cleared up by the end. Sort of. Enough so you're not scratching your head anymore.

OVERALL THOUGHTS

I mean, it's not a bad movie, it's what you'd expect for a movie of this make for the time it was made. Lots of random sex, breasts, violence, and a sour note ending that's just par the course. The prison doesn't change, Daniela and the agent die, and...yeah. Everyone who's left is either evil or just in prison. There ya go. Order restored. The End. It's quite literally there on the final few frames. The words in big, blocky red letters. However...

MY ENDING

Cause I love crafting such things and, as I always say, if you're gonna say something negative it's best you have something positive in how it could be done. So I gave it some thought and came up with this. I've only changed a few things, removed a few convoluted bits, but kept the story with the intended ending's feel. I mean, here's the overall problem with the ending. While it was given as “business per usual” it really doesn't for the following reasons;

-Two inmates died within a one month or even a one week period

-There was a prison riot

-Allegations of rampant abuse. Those let out are gonna tell their stories.

-As soon as people find out an inmate was in prison pre trial for accessory it's gonna bring questions

Basically, the warden won't be a warden for very much longer.

But I'm gonna keep it having a dark ending so here we go.

First off, no assassination at the beginning. It was just useless and it can be done without. Or at least if there is, make it in a less populated place. Though I suppose maybe they got like a grant from Pan Am? Either way, let's get rid of that. Second, the warden should at least know of the agents doing. It just makes sense and the warden being in the know makes for my ending being better anyway. I know he could just set the agent and Daniela with time together but he'll have to come up with excuses. Perhaps asking her to investigate the Mistress. Sort of a favor for a favor, given we have to extend the movie some. Plus it keeps the agent busy and sets up the other encounters. But the ending, right.

For starters, both Daniela and the agent don't die. Kill the inspector in that car chase, but the agent survives and is brought back to the prison. None of the guards know about her being with Interpol as do none of the inmates. So she was just gone for a tiny bit. The matron is informed though and as such, she “gifts” the agent to the Mistress as a means of keeping the blackmail in check. She informs the Mistress of the agents true identity and this grants the Mistress a form of blackmail over the agent cause inmates don't really like police in prison. So the agent can't really do anything and since her bitch has been jealous of the time the agent and Mistress were spending together during the movie, the Mistress essentially gives the agent to her. The agent becomes the bitch's bitch, as it were.

As for Daniela, she's actually given a good bit of luxury to her cell and life moving forward. Everyone was so concerned that they would be thrilled to see her on the road of recovery. The guards get her enough of what she wants and the rumors go that Daniela can get inmates whatever they want as a result. This means those tired of the Mistress looking down on them now go to Daniela who's still pretty much being propped in place by the warden and prison matron. No longer do they have to worry about the Mistress' blackmail because others would just claim it as attention seeking.

So the drugs are still found, the warden remains in power without question, in fact his control is tightened through Daniela, the Mistress is slowly ousted because of her lust for power thinking she had the Matron where she wanted her, and life goes on but the power structure shifts. It's still a dark ending because the bad guys aren't brought to justice, there's no senseless killing on the “just because” variety, and the two would-be heroines are brought down as low as they can be brought with the agent forced to watch the corruption play out.

It's just my idea. Anyway, to close things off per usual, here are some screenshots!

Slave Girls From Beyond Infinity review

 

Characters

• Elizabeth Kaitan as Daria, a space prison escapee and impromptu leader

• Cindy Beal as Tisa. A space prison escapee subordinate to Daria

• Don Scribner as Zed, the hunter

• Brinke Stevens as Shala, a castaway who becomes hunted with Daria and Tisa

• Carl Horner as Rik, a castaway with a large hunting knife

• Sheila White as Girl

• Kirk Graves as Vak, a robot

• Randoph Roehbling as Krel, a robot

• Fred Tate as Alien Mutant, a hunchbacked alien with a laser rifle for an arm

(list taken from Wikipedia. Yes, the movie has a page)

https://en.wikipedia.org/wiki/Slave_Girls_from_Beyond_Infinity

I mean, that honestly about does it for the characters, doesn't it? Though I wouldn't call Tisa a subordinate, just the pessimist of the two. She's the one who's resigned herself to being a slave at the beginning of the movie while Daria is struggling to break her bonds. Anyway, it's not really said how long they were together before being captured or how they were captured to begin with, but they've been together long enough to make little quips at one another and they aren't bashful about being seen in either scantily clad clothing or topless. So I'd put them in the very good friends with benefits to lovers category or even just sisters.

Shala doesn't really have much of a personality. She's just there to be the “victim girl” throughout the mid to late range of the movie. All the things that could happen to the main two happen to her. At least MOST things but we'll get to that. Rik is also her brother but if that wasn't mentioned upon first meeting them you wouldn't really know that.

Zed is the obvious antagonist of the movie and mostly hunts humans before cutting off their heads(?) and displaying them as trophies. Vak and Krel are his robot servants while the mutant is...I don't know. They're definitely not on the same team, that's for certain.

Basic Premise

So you can really just look at their wikipedia page for a proper synopsis but if you just want the basics...

Daria and Tisa are escaped slaves who crash land on a planet occupied by Zed and his robot servants. He seems kind at first but turns out he hunts humans for sport and while the girls all try to escape he confronts Rik giving him a chance to kill him during a hunt. He gives him a laser pistol with a ten minute delay to first charging up and then the hunt starts up. Rik gets killed and the girls are captured to where it's there turn to be hunted as a group. Shala gets killed (?) but Daria and Tisa find some weapons in an ancient vault but despite that wind up fighting Zed with more conventional weapons like swords. He gets wounded by the mutant and the girls escape. Zed then activates a self destruct of his base, or something that just makes it glow, and the girls fly off into the credits.

Costumes

Zed was evil black, Rik was Harlequin cover loose blouse. Okay, got them out of the way.

The first thing I wonder about the costumes in this movie is if all the girls were escaped slaves. Or at least most. The first girl we see being hunted is wearing the exact same outfit that we see Daria and Tisa wearing while they're enslaved. Shala isn't wearing it until she's being hunted, but that could be explained as it could've been taken off of another of those who were hunted previously. The outfits being the beige bikinis. There's also sultry dresses and lingerie. Another reason I think there's more to Daria and Tisa's relationship since Tisa is all about showing her body off in her bra and panty set despite having something of a robe to cover herself. It's sheer, but still.

The robots. They really did kinda look like they were supposed to. Props to them that they got a good bulky, almost metallic look to their outfits. I think a lot of it was plastic but still. So long as we know what they're supposed to be, right? The mutant is certainly scary and...I think it winked at the end? Hard to tell cause it was right after he attacked Zed but then went after the girls. So it was like “is he on their side or not?” Still, I wanna say they got the costume to wink. The zombies, however, yeah. Because they were only shown for brief glimpses it's clear that it's regular clothes with a white ghoulish mask. I mean, it works. You know they're not human. Just...yeah.

Foibles

Okay, so I'm going to be very quick with this part because I know the point of a B-Movie is to not take it so seriously but...I can't help it! There's a few things that bother me even by B-Movie standards. No, it's not Tisa convincing one of the robots to watch her skinny dip, no it's not the obvious rubber masks used for human heads, it's the final hunt.

When Rik was being hunted things kinda made sense for why he ran off instead of just killing Zed. His pistol was on a delay and Zed had his robot servants with him. Rik was not going to win that physical confrontation. However, when he's hunting the girls he gives them knives. Not switchblades with a delay on using them (although Rik showed he had a fairly large switchblade he could've used) but just knives. Sharpened, ready to puncture, able to cut flesh knives. How do we know they're able to cut flesh and weren't just dull blades? Cause they're later used to kill a couple of zombies in the vault. We even see a splatter of green blood on the knife after a zombie is killed. So why couldn't the three of them just lunge forward with their knives and kill him? Were they really honoring the spirit of the ten minute head start? But wait, because Shala wasn't interested in that. She was planning on ambushing him as soon as she could.

So yeah, that's the one part that bothered me. I could also say the first ten minutes were a bother too cause it didn't lead to anything but to allow the movie that science fiction tag. Oh well.

Cable Act of 1992

Honestly? I think this is why the movie even got a Wikipedia page to begin with because it was part of the basis for a US senator to try and enact a bill that would make such programming more difficult for viewers to watch at home. Basically, if that bill passed, people would have to write in to their cable companies letting them know they wanted to watch certain bits of programming. I mean, it sounds insane today what with the internet, streaming, digital cable packages, torrents, etc. And perhaps even moreso when you consider that just a few years after the bill was put in for debate, or whatever, some of these programs really got started. It's just funny to think the sort of world we'd have if that bill had passed. Would porn have then been entirely outlawed? What a cruel, cruel world that would be.

After the movie fanfic

So one of the biggest things unresolved from the whole movie was what happened with the slaver ship. They weren't destroyed, they didn't really even pursue the escaped slaves. So here's my theory on that. They either work alongside Zed or he gets his “shipments” from them. Mainly because all the girls he's hunted have all worn the same outfits that slaves wear on the ship, going by the girl at the start and Daria and Tisa as well. So the slaver ship is still out there hovering over the world. Does that mean Daria and Tisa are just re enslaved and it's done? No. Because they go back to plan out a counter offensive while some slaver lifeboats land along the planet.

When they do land, they find that Shala is still alive because really she got hit with one crossbow bolt in the back and I say she can take that. Don't agree? Stop reading then. Girl also survived from the start and that's not just me saying “No, movie! I'm right!” It's mostly because when Zed approached her during the hunt, she didn't really react all that frightened. In fact, we didn't even see her reaction at all aside from “Oh, the mutant that was chasing me is dead. Alright.” Not even a scream during the scene transition. So chances are she was just taken back to his base where he...did other things with her. She helps Shala recover and, cause I want to, the two of them form a bond. Yep. Gotta do it if the movie won't say one way or another about the other two characters.

Through guerrilla tactics, they defeat the slavers that land and go up to destroy the ship. It's a bit of a struggle but once they open the pens their numbers increase drastically. While those slaves look to start their own lives, probably going down to the planet to start a civilization led by Shala, Daria and Tisa go out to hunt more slavers. Yay! I just think it's better than them flying off into space and Shala, the one near redhead, dies. That's a boo on you, movie writers.

Overall Review

I really had some fun with this movie. I did make the mistake of taking things too seriously at the start and that's on me. But as soon as I stopped I was able to see the movie for what it was. Just a dark comedy romp with sexy chicks and tits. The acting was about what you'd expect and it's clear that the director was REALLY proud over some of the lines he wrote for the script. But that's good. I found myself enjoying it and really rooting for Daria and Tisa to survive. At the end I was worried that it'd go all dark sci fi when Zed has a control. I thought he was going to remotely blow up their ship as they were escaping but instead it just turned his base into a rave party.

So do I recommend it? Well, yes. Yes I do. In fact, here it is on Youtube. With FULL nudity! Watch it on a Wednesday afternoon and laugh at those who actually wanted the Cable Act of 1992 to pass.

https://www.youtube.com/watch?v=138MfsLJQAw

Daphne and the Barbarian review

 

 

 

DAPHNE and the BARBARIAN BEAST

Starring:

Kendra James as Daphne (First scene; unconfirmed), Batwoman

Saharra Huxly as The Giant

Violet Monroe as Daphne (Third scene)

Premise

Daphne explores an abandoned bunker attempting to uncover its secrets. Only this bunker isn't abandoned, it's the home of The Giant. She easily captures Daphne only for Batwoman to try and fail a rescue attempt. Now The Giant has them both and is ready to make them her own.

Beginning Thoughts

Before we get into the review I should first note; this isn't Pet, this is Claire. Pet actually walked out of the movie and told me to watch it in her stead. So that's kinda her review. My review will be a little more thorough. Though I'll try and capture the same beats as one of hers.

The Details

Link: Right here. Though NSFW, obviously

Debut: 2018

Kinks (as listed on the official Kendra James website): damsel in distress, bondage, forced orgasm, gag talk, drool, amazon, tickling, female domination, lesbian domination, super villain, ball gag, cosplay, costumes, peril, hanging from ankles, upside down, tights, nylons, pantyhose destruction

Music

Normally I don't think anyone would really care about this aspect of a movie like this, except my expression did brighten when I realized they played “Despair” from Mass Effect 3 and a combat song out of one of the Batman games. Seriously. Though it is certain parts on repeat I now understand what those one hour versions of the songs on Youtube are for now.

Scene 1: Daphne and The Giant

The scene is an interesting one. Daphne walks in such a way that makes me wonder if she's ever done pony play before. She doesn't exactly tip toe or stride along making all this ruckus, she kicks out her feet before resting them down gently. I'm a foot fetishist, I notice these things. Lol Anyway, she's interrupted by The Giant and hides only for the amazon woman to depart somehow leaving a snare in her wake. Cause...that's how Daphne gets caught. We get some tickling, from a glove that actually looks pretty fierce, some pantyhose ripping, and...yeah.

One of the things you only realize halfway through the film is that Saharra is pretty much the one who's gotta carry the movie. Especially since it's a movie with some dialogue beats in between. You kinda get those in BDSM films in the form of taunts. Not that Saharra did a bad job with her taunts but, well, the simple fact that I'm referring to her as Saharra and not The Giant should tell there really wasn't much of a script. So a lot of the taunts are repeated while Daphne can only moan through a gag. But other than that the scene didn't linger too long.

Scene 2: Batwoman and The Giant

So this is about where Pet says she left the movie in my hands. There's a lot of back and forth talk between the two, a lot of it repetitious, and a lot of it just name calling out of The Giant. The action itself wasn't too bad for from two individuals who are really just there to make porn. Some of it is a bit awkward and a little of it looks like it was edited together roughly. Batwoman's body being crushed sounds like celery being mashed between someones hands. I do appreciate they went the extra mile there and I can call it campy, which is how I was able to get through it all.

Eventually Batwoman is overpowered following a failed zipline attack and now it's back to what we all came for. Some deep wedgies as The Giant makes full use of her size in lifting Batwoman up and quite literally bends her over a barrel. That was just cheeky fun and I loved it. The rest is strap on sucking and up the pussy.

This is where things do tend to drag on a little, unless you enjoy full unedited sex of repeated movements. I did find myself losing my horny factor but I wasn't willing to walk out. Cause I wanted to know if Batwoman was being broken in or not. She kinda was, though I think it was pure lust that had her bounce her hips back on command. We all do stuff we wouldn't normally do if we knew it would make us cum. Plus by the end she was threatening judgment on The Giant.

Scene 3: Daphne, Batwoman, and The Giant

The first section of this scene really did have me gesturing with my hand for them to get on with it. Batwoman is chained to the side of a cage in which Daphne is inside and The Giant keeps taunting her that she's gonna take the latter's virginity. For I'd say 10 minutes the scene is really just that and just when you think The Giant is gonna make good with her threats, because she's got Daphne out of her cage, she goes right back to taunting Batwoman! Whom she was kind enough to put back in her suit, only so she could rip open the top of it and expose her tits. Plus she gave Daphne new leggings. So...she can't be all that bad.

I do have to say that Violet REALLY played up the frightened victim role here. Except maybe the time where she could've run away, although I suppose she stayed so Batwoman wouldn't feel the brunt of The Giants anger over that. Her whimpering, pleas, frightened expression...you just about felt bad, which was good cause after all that back and forth you NEEDED to feel something.

The other thing that worked well for the scene was The Giant didn't just take Daphne into this other room, she did everything right in front of Batwoman. The woman who came to SAVE Daphne. Now she's forced to watch her friend being violated. Also, I dunno if this was part of the script, but yes, The Giant does make Daphne cry out “Jenkies” a few times. I, um, I enjoyed that.

The last bit was two threesome scenes. The Giant pounding Batwoman from behind while she ate out Daphne and then Batwoman sucking The Giant's fake cock while Daphne ate her out. I'll get in my thoughts on these moments...

Daphne & Batwoman's Mental State by the end

Were they broken in by The Giant? Did they become her sex slaves? Or did they fight well until the end only to break away? Well...let's do this one at a time.

Daphne

I gotta say her dam burst. After her first sexual encounter with The Giant she's certainly become hungry for more. Yeah, she was chained and still whimpering some when Batwoman was forced to eat her out, but she wasn't pleading anymore. She wasn't trying to wriggle her hips away from Batwoman's face. Maybe her obedience came out from fear of The Giant but then the next threesome moment she's just totally in the zone. She is FIXATED on Batwoman's pussy and is willing to pleasure it. So is she broken? No. Well...if Batwoman doesn't get them out then she will be.

Batwoman

I have to honestly say she is. Though she struggles and verbally fights back after the first bit (I'm still willing to consider her earlier push backs to be based on lust), she does make Daphne's pussy a seven course meal during the first half of the threesome. I mean she absolutely goes to town on it and only once has to have her head shoved back down. She does move her head away again later but she takes that face dive very shortly after. Though yes, she does insult The Giant at the very end but I think that's more Batwoman trying to convince herself she's not as broken in as she really is. So is she broken enough to not try an escape? She might try, but I see her not using her full effort.

Final Score

I actually liked this one more than I thought I would at the start. Yes, some scenes do go on for longer than they should. There's awkward edits, particularly in the fight sequence, and the dialogue was perhaps pure ad libbing (maybe except the final two lines), but I could see myself watching it again. Throwing on a quick scene for a hot moment. I'll tell you one thing, it has made me wanna see more of Kendra James. She's a redhead and she does the things I like. :)

 

 

Cop Enslaved to be a Ponygirl - The Review

 

***DISCLAIMER***

Okay, so where so I begin? First off, I was asked to do this. Maybe even begged. I don't know, I'd like to believe Kat down on her knees while one of her subordinates typed up the message. But I had a few hours or so to kill so I figured why not? I'll give this a look and a review. But let me just say that while, yes, I was rather turned on at times I found my brow was arched a fair deal more in this. I should also note that this is just someones personal request video so it's not a clip and it's not a movie. It's...something in between. So are you ready? Good.

Fuck the colorful image.

Cop Enslaved to be a Ponygirl

Link: Obviously NSFW, dumbass

Year: 2016

Starring: Who the fuck knows

Kinks: Gags, kidnapping, whipping, light ponyplay, strap on sex, masks, restraints

Cost*: Somewhere maybe between $1K-$5K.

*Typically I'd never care about what porn costs to make but in this I was willing to make an exception. Mainly because there's things I'll bring up where it just seemed cost was an issue and maybe they did the bare minimum to get the most out of it for themselves. Maybe the person financing it wanted cheap costumes and a single set. Whatever.

First Scene

So we're immediately introduced with the kidnappee. Since we're never given a name for either of the characters I'm just gonna call her...Clarice. She's on her phone yakking to her boyfriend, or whatever (honestly who pays attention to the story in porn) when she notices the clothes of someone she's been looking for. Because she's a cop...despite the shoddy costume and heels. Stiletto heels, for that matter. Even as a desk jockey you gotta know that's far too much. But the heels have some kind of explanation later, even if we're to make that connection ourselves. Anyway, she tastes some chloroform and gets K-Oed.

Second Scene

Now I know some of you cock yanking morons are gonna complain saying that the first and second scene are technically one but no, they're different. Wanna complain? Go ahead. I need to blow the dust off my block button anyway.

So this is where the cop is stripped and bound up using tape and takes a nibble of her own panties. This is the first case to me where I come to my eventual headspace conclusion for Clarice, as you'll find out toward the end of this review, because even those the kidnapper, Anya, is threatening Clarice with her own gun...there are times where Anya just looks away completely and is like two feet from Clarice and she doesn't do a damn thing! Now I know there are those out there who would say “Someone points a gun at you, you typically do what they say”. Well, sure. But you'd think as a trained officer that she'd have something to do to free herself. But it doesn't matter cause she's bound up and left there.

It's here she tries something with the scissors and again proves my later point. She drops the scissors to the floor, cause she's sitting on a chair when she's doing this, and tries with her feet but gives up after one attempt. ... ... ... How 'bout you park that curved ass of yours on the floor and try from there? Plenty of open space.

This is also where some of the situational breaking aspects begin kicking in. You can at times see the cameraman's shadow over Clarice's body. I'm not a huge stickler of this, you see their shadow in a lot of movies and you also hear snapping cameras during some scenes as well destroying the illusion. Also, as a side note, why do models have to look directly at the camera when they're doing a scene? Don't look at me, I'm not the one fucking you. Anyway, that's a rant waiting to happen. I only bring this up because, like a lot of movies and whatnot, we're led to believe that the camera is more a fly on the wall. It's not us as we're not reacted to. However, at the end we hear the cameraman talk to Anya. He talks directly to her saying something that gets a reaction out of Clarice. So has Clarice been seeing the cameraman this entire time and just never reacted to him? I don't know. Again, it's pointless to argue these points but it's something I felt needed to be made nonetheless.

Scene Three

The whipping scene. Nothing to really write home about here. Clarice is bound up and Anya whips her. About the only thing of curious note here is...Clarice's body language throughout. Ordinarily when someone doesn't want something of a physical standard they move away. Curious.

Scene Four

Finally the lore nerds get what they want when it comes to the heels. THEY'RE HOOF HEELS!!! Heels specifically designed to deliver that clip-clop noise when connected against hard services like concrete. You didn't hear it before because you were focused on other things. Larger things. But here it's out in spades.

Clarice is forced to prance forward by Anya who holds both her leash and gun. Then the tit jiggling trot. That's pretty much the whole basis behind it. The trot is so her tits jiggle. Then she's tied to a ring where she's gotta keep going at a tit jiggling pace.

I should note that at one point Clarice does kick her foot out at Anya when she has her back turned. It's subtle, you can miss it, but I do wanna point that little action out now.

Scene Five

Hoo boy, the scene that was something and nothing at the same time. It's the sex scene, everyone, and while there are two distinct styles performed...it's one of the shortest scenes and the one where you realize that you're just never gonna see Anya's tits. She remains dressed this entire thing, her strap on is a little too high, and again the sex is just quick. It's doggy style and reverse cowgirl, for those wondering. Though the second was very apt and raised some interesting questions. Because Clarice wasn't really held in place during that and did 90% of the movements with no aid. Something...something to consider.

Another thing to consider is just how little touching there actually was in this entire thing. There's nipple pinching, a little stroking of the breast, but it's all so short you could miss it entirely. It's either there was this request in the notes that specifically stated Clarice's breasts were to remain as visible as possible, the two were awkward with one another, or they just weren't lesbians. Which is fine. I know in this day and age people are gonna freak when I say that. “Pet, they need to make lesbians do lesbian things!” Yeah, well, a black chick is portraying Batwoman and none of you care about that. Just...throwing that out there.

Scene Six

The least active scene sees Clarice strapped on her knees to a post wearing a mask. About all that's done is two more straps are added (around her waist and neck) and her tits are whipped a little before Anya saunters off camera and we see Clarice wriggle about. Then we hear the cameraman's line and...we're done. Yeah.

So before we finish this whole thing off I just want to point out a couple of missed opportunities that would've made the whole thing a lot better. The first one I'll go over briefly cause it steps into territory I'll be discussing later and that's...

Calling back Clarice's boyfriend/husband/whatever, who the fuck watches these for the story?

Scene five would've been a perfect time for that. Anya could've had Clarice call him before allowing her to “cum”, because it's subjective whether she did or not, to basically break up with him in as cruel a manner as possible. Clarice does so cause of her mental state and is all “OMG, what have I done?” while Anya has a good laugh.

Paige

The third girl. If you recall from scene one, Clarice notices some clothing Paige was wearing when she was kidnapped. Something I think would've been pretty sweet is during the second or third scene, Anya comes out with Paige on a leash and talks about her being “Her pet” and Paige is all “Mmph mmph” cause she's gagged. But she's totally down with belonging to Anya. She even helps out in the whipping and when it comes to the sex, it's Paige who doggy styles Clarice over the table. That would've been fun to watch because it really just led nowhere over what happened with that third woman. Guess she was sold and her clothes were kept as a momento? I dunno cause I wasn't listening to anything they were saying.

Lastly, we come to my favorite part of these sorts of reviews...

CLARICE'S MENTAL STATE AT THE END OF THE MOVIE...THING

Was she broken? Was she made into the perfect slave? The answer...no.

Why no? Because Clarice was already broken before she even came down those basement steps. Think about it. How many of you often fantasize about such a situation? To be captured by an attractive woman who wants you naked, wants to punish you, wants to fuck you so hard just all the time. That's how Clarice's mind works. Need proof? Okay.

In scene two where she's given the opportunity to steal the gun back she doesn't. She just stands there and appears more dumbfounded that her own phone is being used against her as a camera. Seriously, she asks “Is that a camera?” when Anya holds her own phone up. That's not proof, that was...I don't know what what was. Later on in the scene she has the opportunity to free herself but tries twice and gives up. She tries, but as I'll point out again later, this is her putting up the struggle against her own desires. She has it but she doesn't know she wants it. She's frightened of what she's gonna lose going through with it but she's more than willing to go through with it in the end.

In scene three her body language suggests she's not struggling against the whipping she's received. In fact, her body remains somewhat still. She doesn't move away from Anya, not even once. She wants to be whipped.

Scene four can be somewhat explained away by the fact that during the trot Anya is holding Clarice's gun, but how do you explain the horseshoes on the toe of her heels? Huh? Huh? Exactly. You can't. Don't even try.

Fifth scene is rather self explanatory. She threatens Anya but that all goes away when she's being fucked reverse cowgirl. Literally, there's NOTHING keeping her in place. She's doing that all on her own. She's bouncing off of Anya's lap while on her feet. She might not get very far but if she didn't want to be there she could've at least tried to run. Yeah, she'd be running onto the street naked, bound up, and gagged but that's an acceptable price to pay when the alternative is a lifetime of slavery.

Sixth scene doesn't really offer anything other than my own interpretation. She only truly reacts when she hears a man saying she'll make a fine pony. Maybe she was getting used to the idea of being Anya's slave. Maybe she thought that because Paige wasn't there that she could be the girl. Again, that's just my interpretation. But even with that look at what there is.

So what happens with Clarice afterward? It takes her a while but she accepts her place in a stable of fillies. She puts up some struggle in her lessons but ultimately accepts and becomes a mindless shell only reacting to the whip and lead.

FINAL SCORE

In the end, can I score this? It is a request made video. I could cut it some slack. But I won't.

C-. It has some decent scenes but everything is overshadowed by the clearly not cumming acting, the swift sex, the missed opportunities, and the parts where we watch Clarice squirm for far too long. I get it, she's trapped. Let's move on.